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Sequential

[Sequential] Oberheim OB-6 Desktop Module

¾Æ³¯·Î±× ½Åµð»çÀÌÀú(¸ðµâÇü)

3,990,000¿ø
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Á¦Ç°¸í[Sequential] Oberheim OB-6 Desktop Module
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Sequential Oberheim OB-6 Desktop ModuleÀº Àü¼³ÀûÀÎ Oberheim SEMÀÇ »ç¿îµå¸¦ Çö´ëÀûÀÎ ±â¼ú°ú °áÇÕÇÑ 6-Voice Æú¸®Æ÷´Ð ¾Æ³¯·Î±× ½Å½Ã»çÀÌÀúÀÔ´Ï´Ù. Tom Oberheim°ú Dave SmithÀÇ Çù¾÷À¸·Î ź»ýÇßÀ¸¸ç, Űº¸µå ¹öÀü°ú µ¿ÀÏÇÑ »ç¿îµå ¿£Áø°ú ÄÁÆ®·Ñ ±¸¼ºÀ» µ¥½ºÅ©Åé ¸ðµâ¿¡ ´ã¾Æ º°µµÀÇ ¸Þ´º Ž»ö ¾øÀÌ Á÷°üÀûÀ¸·Î »ç¿îµå¸¦ ¸¸µé ¼ö ÀÖ½À´Ï´Ù. °¢ º¸À̽º¿¡´Â 2°³ÀÇ µð½ºÅ©¸®Æ® VCO¿Í ¼­ºê ¿À½Ç·¹ÀÌÅͰ¡ žÀçµÇ¾î ÀÖÀ¸¸ç, Oberheim SEM¿¡¼­ ¿µ°¨À» ¹ÞÀº 2-Pole State-Variable Filter¸¦ ÅëÇØ Low-Pass, High-Pass, Band-Pass, Notch µî ´Ù¾çÇÑ ÇÊÅÍ Ä³¸¯Å͸¦ Á¦°øÇÕ´Ï´Ù. ¿©±â¿¡ X-Mod, Æú¸®Æ÷´Ð ½ºÅÜ ½ÃÄö¼­, ¾Æ¸£ÆäÁö¿¡ÀÌÅÍ, µà¾ó µðÁöÅÐ ÀÌÆåÆ® µîÀ» ´õÇØ ºóƼÁö ¾Æ³¯·Î±× ½Å½ººÎÅÍ Çö´ëÀûÀÎ »ç¿îµå µðÀÚÀαîÁö Æø³Ð°Ô Ȱ¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.

ÇÙ½É Æ¯Â¡

- 6-Voice Æú¸®Æ÷´Ð ¾Æ³¯·Î±× ½Å½Ã»çÀÌÀú
- Űº¸µå ¹öÀü°ú µ¿ÀÏÇÑ OB-6 ¾Æ³¯·Î±× »ç¿îµå ¿£Áø žÀç
- Tom Oberheim°ú Dave SmithÀÇ Çù¾÷À¸·Î °³¹ß
- Oberheim SEMÀÇ Å¬·¡½ÄÇÑ »ç¿îµå¸¦ ±â¹ÝÀ¸·Î ÇÑ À½»ö ¼³°è
- °¢ º¸À̽º¿¡ 2°³ÀÇ µð½ºÅ©¸®Æ® VCO ±¸¼º
- °¢ VCO¿¡¼­ Sawtooth ¹× Variable-Width Pulse ¿þÀ̺ê Á¦°ø
- OSC 2¿¡ Triangle Wave Ãß°¡ Áö¿ø
- OSC 1¿¡ Square Wave Sub-Oscillator Á¦°ø
- OSC 1°ú OSC 2ÀÇ Pulse Width Á¶Àý
- OSC 1ÀÌ OSC 2¸¦ µ¿±âÈ­ÇÏ´Â Hard Sync Áö¿ø
- OSC 2ÀÇ Low Frequency Mode Áö¿ø
- ¿À½Ç·¹ÀÌÅÍ µðƪ ±â´ÉÀ¸·Î ¹Ì¼¼ÇÑ ºÒ¾ÈÁ¤¼ººÎÅÍ °­ÇÑ ºóƼÁö ij¸¯ÅͱîÁö Á¶Àý
- 2-Pole Resonant State-Variable Filter Àû¿ë
- Low-Pass / High-Pass / Band-Pass / Notch 4°¡Áö ÇÊÅÍ ¸ðµå Á¦°ø
- Oberheim SEM¿¡¼­ ¿µ°¨À» ¹ÞÀº µ¶Æ¯ÇÑ ÇÊÅÍ Ä³¸¯ÅÍ
- Filter Envelope Amount¿¡ ´ëÇÑ Bipolar Á¶Àý Áö¿ø
- Filter Envelope ¹× Amplifier Envelope¿¡ °¢°¢ ADSR ¿£¹ú·ÎÇÁ Á¦°ø
- µÎ ¿£¹ú·ÎÇÁ ¸ðµÎ Velocity Modulation Áö¿ø
- 5°¡Áö ¿þÀ̺긦 Áö¿øÇÏ´Â LFO žÀç
- Sine / Sawtooth / Reverse Sawtooth / Square / Random(Sample & Hold) LFO
- LFO¸¦ ³»ºÎ ¶Ç´Â ¿ÜºÎ MIDI Clock°ú µ¿±âÈ­ °¡´É
- LFO¸¦ ¿À½Ç·¹ÀÌÅÍ Á֯ļö, Pulse Width, Filter Cutoff, Filter Mode, Amp µî¿¡ ÇÒ´ç °¡´É
- X-Mod¸¦ ÅëÇÑ °­·ÂÇÑ Å©·Î½º ¸ðµâ·¹À̼Ç
- X-ModÀÇ ¼Ò½º·Î Filter Envelope ¹× OSC 2 »ç¿ë °¡´É
- OSC 1 Frequency, Shape, Pulse Width, Filter Cutoff ¹× Filter Mode µî¿¡ X-Mod Àû¿ë
- Channel Aftertouch¸¦ Ȱ¿ëÇÑ ½Ç½Ã°£ ÆÄ¶ó¹ÌÅÍ Á¦¾î
- Aftertouch¸¦ OSC Frequency, LFO Amount, Envelope Amount, Filter Mode µî¿¡ ÇÒ´ç °¡´É
- 64-Step Æú¸®Æ÷´Ð ½ºÅÜ ½ÃÄö¼­ ³»Àå
- °¢ ½ºÅÜ¿¡¼­ ÃÖ´ë 6°³ÀÇ ³ëÆ®¸¦ »ç¿ëÇÏ´Â Æú¸®Æ÷´Ð ½ÃÄö½Ì Áö¿ø
- Rest¸¦ Æ÷ÇÔÇÑ ½ÃÄö½º ÀÛ¼º ¹× ¿ÜºÎ MIDI Clock µ¿±âÈ­ Áö¿ø
- ¾Æ¸£ÆäÁö¿¡ÀÌÅÍ ³»Àå
- 16ºÐÀ½Ç¥, 8ºÐÀ½Ç¥, Á¡8ºÐÀ½Ç¥, 4ºÐÀ½Ç¥ µî ´Ù¾çÇÑ ³ëÆ® °ª ¼±Åà °¡´É
- 1¡¤2¡¤3¿ÁŸºê ¹üÀ§ ¹× Up, Down, Up/Down, Random, Assign ¸ðµå Á¦°ø
- Unison Mode¸¦ ÅëÇØ 1~6°³ÀÇ º¸À̽º¸¦ Ȱ¿ëÇÑ ¸ð³ëÆ÷´Ð »ç¿îµå ±¸¼º °¡´É
- Chord Memory ¹× ´Ù¾çÇÑ Key Mode Áö¿ø
- Stereo Analog Distortion ³»Àå
- µà¾ó 24-bit / 48kHz µðÁöÅÐ ÀÌÆåÆ® ½Ã½ºÅÛ
- Reverb, Delay, BBD Delay, Chorus, Flanger, Phase Shifter, Ring Modulator µî Á¦°ø
- DelayÀÇ MIDI Clock Sync Áö¿ø
- µðÁöÅÐ ÀÌÆåÆ®¸¦ ²ô¸é True Bypass¸¦ ÅëÇØ ¿ÏÀüÇÑ ¾Æ³¯·Î±× ½ÅÈ£ °æ·Î À¯Áö
- ¸ðµç ÁÖ¿ä ÆÄ¶ó¹ÌÅ͸¦ Àü¸é ÆÐ³ÎÀÇ Knob-per-Function ¹æ½ÄÀ¸·Î Á÷°üÀûÀ¸·Î Á¶ÀÛ
- º¹ÀâÇÑ ¸Þ´º Ž»ö ¾øÀÌ Áï°¢ÀûÀÎ »ç¿îµå ÆíÁý °¡´É
- Manual Mode¸¦ ÅëÇØ ÇöÀç Àü¸é ÆÐ³Î ¼³Á¤À» Áï½Ã »ç¿îµå¿¡ Àû¿ë
- 500°³ÀÇ Factory Program Á¦°ø
- Ãß°¡·Î 500°³ÀÇ User Program ÀúÀå °¡´É
- 10°³ ¹ðÅ©¿¡ °¢°¢ 100°³ÀÇ ÇÁ·Î±×·¥ ±¸¼º
- µÎ ´ëÀÇ OB-6¸¦ ¿¬°áÇØ Poly ChainÀ¸·Î ÃÖ´ë 12-Voice Æú¸®Æ÷´Ï ±¸¼º °¡´É
- µ¥½ºÅ©Åé ¸ðµâ ÇüÅ·ΠŰº¸µå ¾øÀÌ MIDI ÄÁÆ®·Ñ·¯¿Í ÇÔ²² »ç¿ë °¡´É
- Left/Mono ¹× Right 1/4" ¿Àµð¿À Ãâ·Â Áö¿ø
- 1/4" ½ºÅ×·¹¿À ÇìµåÆù Ãâ·Â Á¦°ø
- MIDI In / Out / Thru Áö¿ø
- USB ¾ç¹æÇâ MIDI Åë½Å Áö¿ø
- Filter Cutoff ¹× Volume¿ë Expression Pedal ÀÔ·Â Áö¿ø
- Sustain Footswitch ¹× Sequencer Start/Stop Footswitch ÀÔ·Â Áö¿ø
- ³»ºÎ Àü¿ø °ø±Þ ÀåÄ¡¸¦ »ç¿ëÇϸç 100–240V, 50–60Hz Àü¿ø Áö¿ø
- ÃÖ´ë ¼ÒºñÀü·Â 30W
- Å©±â: 520 ¡¿ 198 ¡¿ 112mm
- ¹«°Ô: 5.9kg
- ½ºÆ©µð¿À, ¶óÀÌºê °ø¿¬, »ç¿îµå µðÀÚÀÎ ¹× ÀüÀÚÀ½¾Ç Á¦ÀÛ¿¡ ÀûÇÕ

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